Friedrich Kunath
I’ll Romanticize
This Later
December 1, 2026 – January 22, 2027 · ICA Miami
Explore the Exhibition ↗
Friedrich Kunath
December 1, 2026 – January 22, 2027 · ICA Miami
Explore the Exhibition ↗
RICCI ALBENDA UNIVERSAL COLOR CLOCK
About DMINTI
DMINTI collaborates with artists, museums and cultural institutions to realize ambitious contemporary-art projects that create new forms of participation, dialogue and public encounter.
Working across art and technology, DMINTI develops projects that expand how contemporary art is experienced and shared – from exhibitions and installations to participatory works that deepen visitor engagement.

Friedrich Kunath (b. 1974, Chemnitz, Germany) works across painting, drawing, sculpture, installation, and video to create resonant, evocative, and often melancholy compositions. Recent solo exhibitions of his work include Friedrich Kunath: Coming Home Was as Beautiful as Going Away, KINDL-Centre for Contemporary Art, Berlin (2023); Friedrich Kunath: I Remain Exhausted, Tim Van Laere Gallery, Antwerp, Belgium (2024); Friedrich Kunath: I Need Solitude, But I Also Need You, Nassima Landau, Tel Aviv, Israel (2024); Friedrich Kunath: AT THIS POINT IN MY LIFE (I'LL HAVE THE CALAMARI), G2 Kunsthalle, Leipzig, Germany (2024); Friedrich Kunath: One Day I’ll Follow the Byrds (Tutto Pasta), Galerie Max Hetzler, Berlin (2024); Friedrich Kunath: Aimless Love, Pace Gallery, New York (2025); Friedrich Kunath: On A Clear Day I Can See You Forever, Galerie Max Hetzler, Paris (2026); and Friedrich Kunath, Tim Van Laere Gallery, Rome (2026). Kunath’s work is held in prominent public collections worldwide, including the Carnegie Museum of Art, Pittsburgh, Pennsylvania; Centre Georges Pompidou, Paris; Los Angeles County Museum of Art; Museum of Contemporary Art, Los Angeles; Museum of Contemporary Art, San Diego, California; The Museum of Modern Art, New York; and the Walker Art Center, Minneapolis, Minnesota, among others. He graduated from Braunschweig University of Arts, Germany, in 1998, and currently lives and works in Los Angeles.
Laurie Simmons is an internationally recognized artist. Since the mid-70s, Simmons has created images with intensely psychological subtexts and nonlinear narratives through photography, painting and sculpture. Her work is part of the permanent collections of the Metropolitan Museum of Art, the Museum of Modern Art, The Whitney Museum of American Art and The Solomon R. Guggenheim Museum in New York City; the Museum of Contemporary Art in Los Angeles; the Philadelphia Museum of Art; the Corcoran Gallery of Art in Washington, DC; the Hara Museum in Tokyo; and the Stedelijk Museum of Modern Art in Amsterdam, among others. In 2018-2019 Simmons’ retrospective Big Camera/Little Camera was presented at The Modern Art Museum in Fort Worth, Texas and The Museum of Contemporary Art, Chicago. In 2006 she produced and directed her first film, The Music of Regret, starring Meryl Streep, Adam Guettel and the Alvin Ailey 2 Dancers. The film premiered at The Museum of Modern Art. Her feature film MY ART premiered at the 73rd Venice Film Festival and Tribeca Film Festival in 2017. Simmons lives and works in New York and Connecticut.
Peter Wheelwright is an architect, educator and writer who has collaborated with Laurie Simmons on a number of architecture and design projects over the course of their 50+ year friendship. Formerly the Chair of the School of Architecture at Parsons School of Design/The New School in New York City, his architecture work has been published widely in both the national and international press. Currently, he is a Professor Emeritus at Parsons/The New School as well as an award-winning novelist of Literary Fiction. His novel As It Is On Earth received a PEN/Hemingway Honorable Mention Award for Literary Excellence in Debut Fiction, and his novel The Door-Man was recognized by The New Yorker as “One of the Best Books of 2022.”
This project took Chicago’s inspiring banners ‘What If Women Ruled the World’, which were created in collaboration with Maria Grazia Chiuri for the Dior Spring Summer 2020 Haute Couture show, as its source for a new revolutionary participatory call-and-response.
Michelangelo Pistoletto (b. 1933, Biella) is one of the most influential figures in postwar art and a foundational force in the development of Arte Povera. After his first solo exhibition in 1960 at Galleria Galatea in Turin, he created the seminal Mirror Paintings. In the 1990s he founded Cittadellarte – Fondazione Pistoletto and the University of Ideas, establishing a model for art’s active role in social transformation. His many honors include the Golden Lion for Lifetime Achievement (2003), the Wolf Prize (2007), and the Praemium Imperiale (2013). His recent work centers on Third Paradise, a symbol and philosophy for societal renewal, and in 2025 he was nominated for the Nobel Peace Prize.
Josephine Meckseper, born in Germany, holds an MFA from CalArts, and lives and works in New York City. The artist is known for her large scale vitrine installations and films that have been exhibited in numerous international biennials and museum exhibitions worldwide. In her practice, which encompasses film, photography, painting and sculpture, Meckseper challenges the conventional meanings of familiar cultural imagery and the systems of circulation and display through which they acquire significance.
Photo credit: Kevin Trageser
Ricci Albenda is an American contemporary visual artist and sculptor. His sculptures harness traditional and idiosyncratic perspectival systems to represent bare architectural spaces that may be feasible, but are never real. His deep exploration of language and the written word has led him to develop his own fascinating system in which the alphabetical and numerical system are paired with the color wheel.
French-American conceptual artist Sarah Meyohas was one of the first artists to explore the intersection of emerging financial technology and art with her formative, feminist Bitchcoin project (2015). Working across multiple mediums including performance, film, photography, and AI, her work investigates how value is created and sustained in art and economics.
Photo credit: Gabby Jones
Since the early 1980s, David Salle has created complex, searingly psychological paintings that juxtapose an array of images from art history, popular culture, and his own starkly lit photographs. An astute art critic, he is the author of How to See: Looking, Thinking and Talking about Art (2018).
Photo credit: Michael Avedon
DMINTI is thrilled to exhibit Bernstein’s iconic Interview Magazine cover artworks which were on view at the Warhol Museum in the exhibition “Andy Warhol’s Social Network: Interview, Television and Portraits.”