The Studiengalerie der Technische Hochschule Stuttgart presents the first-ever public exhibition of computer-generated images as art.
The contest defines “computer art” as “examples of visual creativity in which a computer plays a dominant role.”
The contest defines “computer art” as “examples of visual creativity in which a computer plays a dominant role.”
The Studiengalerie der Technische Hochschule Stuttgart presents the first-ever public exhibition of computer-generated images as art.
Manhattan’s Howard Wise Gallery presents this first American exhibition of computer art, featuring works by A. Michael Noll and Béla Julesz.
Galerie Wendelin Niedlich in Stuttgart presents the third exhibition of computer art, featuring works by Georg Nees and Frieder Nake.
The Studiengalerie der Technische Hochschule Stuttgart presents the first-ever public exhibition of computer-generated images as art.
Manhattan’s Howard Wise Gallery presents this first American exhibition of computer art, featuring works by A. Michael Noll and Béla Julesz.
Galerie Wendelin Niedlich in Stuttgart presents the third exhibition of computer art, featuring works by Georg Nees and Frieder Nake.
Masao Komura, Haruki Tsuchiya, Kunio Yamanaka, and Junichiro Kakizaki found the Computer Technique Group (CTG) in Japan.
Founded by kinetic artist and aeronautical engineer Frank Malina, the journal will go on 1969 to publish important primary accounts and secondary scholarship in the field of digital art and art and technology more broadly.
This magazine dedicated to the theoretical links between computers and art is published by a group of artists related to the [Nove] tendencije (New Tendencies) movement.
ICA London presents the first major museum presentation of computer-generated images, films, sculptures, songs, and other creative forms, curated by Jasia Reichardt.
Founded by kinetic artist and aeronautical engineer Frank Malina, the journal will go on 1969 to publish important primary accounts and secondary scholarship in the field of digital art and art and technology more broadly.
This magazine dedicated to the theoretical links between computers and art is published by a group of artists related to the [Nove] tendencije (New Tendencies) movement.
ICA London presents the first major museum presentation of computer-generated images, films, sculptures, songs, and other creative forms, curated by Jasia Reichardt.
A group of young musicians and artists including Hervé Huitric and Manfred Mohr (joined later by Monique Nahas) found the Groupe Art et Informatique de Vincennes (GAIV).
A group of young musicians and artists including Hervé Huitric and Manfred Mohr (joined later by Monique Nahas) found the Groupe Art et Informatique de Vincennes (GAIV).
The Jewish Museum presents Software, which explores the importance of software as a metaphor for conceptual art.
Thanks to this presentation at the Musée d’Art Moderne de la Ville de Paris, Mohr becomes the first computer artist to have a solo museum exhibition.
David Ahl launches the first major magazine for computer hobbyists to promote the use of personal computers to create games, art, and other creative forms.
This organization, which presents an annual trade show for people working with computer graphics, is founded as part of the Association for Computing Machinery (ACM).
David Ahl launches the first major magazine for computer hobbyists to promote the use of personal computers to create games, art, and other creative forms.
This organization, which presents an annual trade show for people working with computer graphics, is founded as part of the Association for Computing Machinery (ACM).
Ruth Leavitt’s anthology includes interviews with thirty-five leading computer artists, including Vera Molnár, Kenneth Knowlton, Charles Csuri, Manfred Mohr, Lillian Schwartz, and Hiroshi Kawano.
The longest-running media art festival launches in Linz. The organization will open its first year-round museum in 1996.
The longest-running media art festival launches in Linz. The organization will open its first year-round museum in 1996.
This conference at SFMOMA includes live global video links and leads to the launch of ARTBOX (later ARTEX), the first significant digital network for artists, which will support key projects throughout the 1980s.
The theme is “Art and Science,” and it includes the presentations “Technology and Informatics” and “Art and Computer.”
Early categories include “Computer Graphics,” “Computer Animation,” “Computer Music,” and “Interactive Art.” A new category for net art is introduced in 1995, but is dropped in 2006.
Early categories include “Computer Graphics,” “Computer Animation,” “Computer Music,” and “Interactive Art.” A new category for net art is introduced in 1995, but is dropped in 2006.
These symposia (now organized by the ISEA Foundation) for organizations and individuals working with digital and other electronic arts are held in a different city every year.