Laurie Simmons is an internationally recognized artist. Since the mid-70s, Simmons has created images with intensely psychological subtexts and nonlinear narratives through photography, painting and sculpture. Her work is part of the permanent collections of the Metropolitan Museum of Art, the Museum of Modern Art, The Whitney Museum of American Art and The Solomon R. Guggenheim Museum in New York City; the Museum of Contemporary Art in Los Angeles; the Philadelphia Museum of Art; the Corcoran Gallery of Art in Washington, DC; the Hara Museum in Tokyo; and the Stedelijk Museum of Modern Art in Amsterdam, among others. In 2018-2019 Simmons’s retrospective Big Camera/Little Camera was presented at The Modern Art Museum in Fort Worth, Texas and The Museum of Contemporary Art, Chicago. In 2006 she produced and directed her first film, The Music of Regret, starring Meryl Streep, Adam Guettel and the Alvin Ailey 2 Dancers. The film premiered at The Museum of Modern Art. Her feature film MY ART premiered at the 73rd Venice Film Festival and Tribeca Film festival in 2017. Simmons lives and works in New York and Connecticut.

Peter Wheelwright is an architect, educator and writer who has collaborated with Laurie Simmons on a number of architecture and design projects over the course of their 50+ year friendship. Formerly the Chair of the School of Architecture at Parsons School of Design/The New School in New York City, his architecture work has been published widely in both the national and international press. Currently, he is a Professor Emeritus at Parsons/The New School as well as an award-winning novelist of Literary Fiction. His novel As It Is On Earth received a PEN/Hemingway Honorable Mention Award for Literary Excellence in Debut Fiction, and his novel The Door-Man was recognized by The New Yorker as “One of the Best Books of 2022.”

This project took Chicago’s inspiring banners ‘What If Women Ruled the World’, which were created in collaboration with Maria Grazia Chiuri for the Dior Spring Summer 2020 Haute Couture show, as its source for a new revolutionary blockchain enabled call-and-response.

Josephine Meckseper, born in Germany, holds an MFA from CalArts, and lives and works in New York City. The artist is known for her large scale vitrine installations and films that have been exhibited in numerous international biennials and museum exhibitions worldwide. In her practice, which encompasses film, photography, painting and sculpture, Meckseper challenges the conventional meanings of familiar cultural imagery and the systems of circulation and display through which they acquire significance.

Ricci Albenda’s Universal Color Clock displays 1440 different hues, one for each minute of the day. Each NFT is tethered to a specific randomly assigned minute of the day and the owner of each minute can enjoy the full 24h Color Clock.

French-American conceptual artist Sarah Meyohas was one of the first artists to explore the intersection between cryptocurrency and art with her formative, feminist Bitchcoin project (2015). Working across multiple mediums including performance, film, photography, and AI, her work investigates how value is created and sustained in art and economics.

Since the early 1980s, David Salle has created complex, searingly psychological paintings that juxtapose an array of images from art history, popular culture, and his own starkly lit photographs. An astute art critic, he is the author of How to See: Looking, Thinking and Talking about Art (2018).

In 2021, DMINTI and Brandon Murphy merged the art and gaming worlds by creating Artful Obby, a first-of-its-kind immersive Roblox experience. Players can navigate a fun-filled obstacle course as they explore three themed galleries showcasing Murphy’s most iconic artwork, including his Boonji Spaceman, Fingerprint and Candy Hearts series. It marks Murphy’s first move to bring his digital art and space-traveling avatars to life in the Roblox metaverse, opening the widely popular Boonji World to the Roblox audience

DMINTI is thrilled to exhibit Bernstein’s iconic Interview Magazine cover artworks which were on view at the Warhol Museum in the exhibition “Andy Warhol’s Social Network: Interview, television and Portraits”.