DMINTI, in collaboration with the Institute of Contemporary Art, Miami (ICA), is thrilled to unveil Laurie Simmons’ and Peter Wheelwright’s The Kaleidoscope (…Bigger) House, an immersive public installation. Simmons and Wheelwright bring their iconic Kaleidoscope House to life in a fresh, innovative form as a participatory sculpture with AI-driven features, situated in the heart of Miami’s Design District. The interactive installation will be on view from December 3rd through March 31st at 3930 NE 2nd Avenue.
“The Kaleidoscope (…Bigger) House”
December 3, 2024 through March 31, 2025
3930 NE 2nd Avenue
Monday-Saturday, 11:00am-7:00pm, Sunday 12:00–6:00 pm
French-American conceptual artist Sarah Meyohas was one of the first artists to explore the intersection between cryptocurrency and art with her formative, feminist Bitchcoin project (2015). Working across multiple mediums including performance, film, photography, and AI, her work investigates how value is created and sustained in art and economics.
Since his early career, Brendan has blended abstract and figurative forms to reveal meaning with deeper contemplations through his sculpture and painting. Brendan believes it is in art’s potential where we can most universally transmit positive energy. He recognizes the effect this energy, when experienced as a collective, can have on society as a whole. His commitment to process and true craftsmanship is the unifying thread throughout his body of work.
Ricci Albenda’s Universal Color Clock displays 1440 different hues, one for each minute of the day. Each NFT is tethered to a specific randomly assigned minute of the day and the owner of each minute can enjoy the full 24h Color Clock.
Josephine Meckseper, born in Germany, holds an MFA from CalArts, and lives and works in New York City. The artist is known for her large scale vitrine installations and films that have been exhibited in numerous international biennials and museum exhibitions worldwide. In her practice, which encompasses film, photography, painting and sculpture, Meckseper challenges the conventional meanings of familiar cultural imagery and the systems of circulation and display through which they acquire significance.